SUBMISSIONS
MAGAZINE SUBMISSIONS
Yep, that’s right; the magazine is coming back…sort of.
I’m looking for suspenseful horror of ALL shades (though, as is my way, I don’t find characters being sad amidst spooky goings on to be suspenseful on it's own). Gimme gore, gimme literary, gimme whatever kind of horror you like as long as it’s suspenseful. As always, NO copaganda, NO pro-religious stuff, NO right-wing themes, NO erotic betrayals of sexual assault. Obviously, NO AI. People using AI to cobble together stories are not welcome; just go away, nobody likes you. This call is open only to human writers (sorry animals from Dean Koontz novels).
The goal is to publish three to four stories per month on the Unnerving site. At the beginning of the following year, the next issue of the magazine will debut physically, anthologizing the regularly published stories from the website.
Word count: 500 – 3,500
Rate: 1.5¢ CAD/word (payments via PayPal only)
Exclusivity: 6 months following publication (the story will be archived and available on the site until the site is no more or the author requests removal with reasonable cause)
Submission window: December 10, 2024 – December 30, 2024 (first window)
Reprints: No
Multiple submissions: No
Simultaneous submission: Yes, but please withdraw if accepted elsewhere
Response times: 1-6 months
Send Submissions: unnervingsubs@gmail.com
Subject line: Magazine Submission - Word Count
COTTAGE CRIMES SUBMISSIONS
I’m looking for crime and mystery stories (no horror and nothing speculative for this one) that take place at a private vacation property. Many possibilities here, but I don’t want stories about ski chalets, timeshares, or a character’s permanent residence unless it shares property lines with vacation property. Most anything else should work (shoot me an email if you’re unsure), but there’s the usual stuff I don’t publish: copaganda, religious stories, anything right-wing. For this title, I’m leaning a touch softer than typical; I don’t mean cozy, but it can get close, as long as there’s still suspense. The stories I pick will be suspense heavy, for the most part. Human authors only; stories written with AI aid will not be considered.
Word count: 2,000 – 6,000
Rate: 1.5¢ CAD/word (payments via PayPal only)
Exclusivity: 6 months following publication
Submission window: January 1, 2025 – February 14, 2025
Reprints: No
Multiple submissions: No
Simultaneous submission: Yes, but please withdraw if accepted elsewhere
Planned publication date: May, 2025
Send Submissions: unnervingsubs@gmail.com
Subject line: Cottage Crimes
STANDALONE BOOK SUBMISSIONS
CLOSED
(will re-open in 2025)
HORROR, CRIME, MYSTERY, & DARK GENERAL FICTION
NOVEL, NOVELLA, AND COLLECTION SUBMISSIONS
Horror:
The themes are fairly open (not interested in stories that revolve around people feeling unloved or out of place, nor sad tales about sad people being sad, seriously don't send me this stuff, I don't want it), but my favorite stuff resembles the glory days of horror 70s, 80s, even the early 90s. Stuff like Stephen King's Pet Sematary, The Shining, Carrie, Revival, Creepshow. Think Douglas Clegg, Ray Garton, John Saul, Michael McDowell, Thomas Tryon, and so on. Also, open to absurdity, splatterpunk, dark comedy, smut.
Crime/Mystery:
The themes are fairly open (not interested in police procedurals, nor copaganda). Think violent road stories like The Hitchhiker and Duel, and dark family mysteries like Dark Places. Hard Case-esque stuff, authors like Donald Westlake, Sara Gran, Jim Thompson, Erle Stanley Gardner, Joyce Carol Oates’ suspense stuff (think The Corn Maiden and Foxfire: Confessions of a Girl Gang), anything by Walter Mosley, sordid thrillers surrounding regular people, and so on. Smut welcome.
Action/Adventure/Westerns:
The themes are open, though they must be dark and fast. I'm not big on heroic army battles; isolated soldiers are cool. Monsters, dinosaurs, big animals, rescue missions, good guy heists, buddy comedies, stories based (firmly or loosely) on deceased historical figures. In period pieces, if racism, sexism, or other is necessary to tell the story right, that's fine. Nothing gratuitous (well, nothing offensive; gratuitous sex and violence are good stuff). Keep it fast! I love pocket paperbacks from the 1920-1970s, they exhibit the very kind of stuff I'm looking for.
Science-Fiction:
Very light on science and heavy on character focus. Michael Crichton-esque sci-fi is my favorite (Jurassic Park, Sphere, Drug of Choice). Medical thriller-style sci-fi works too. Not big on operas or Star Trek/Star Wars kind of distant universes or worlds. Stories should be suspenseful and leaning dark, tethered to our world. Weird sex is welcome.
What not to send: copaganda, fantasy stories (high, urban, swords...not for me), wilting flower horror, highfalutin prose, poetry, anything pro-religion or pro-religious character (gods of major religions saving the day, even lending a hand, is simply too far-fetched for me to imagine).
Other notes: certain writing and grammar rules can be ignored or twisted for a sense of style, however, punctuation rules must be followed (seriously, read THE ELEMENTS OF STYLE by William Strunk & EB White; it's short. If this too much to ask, don't ask me to read your manuscript). When it comes to POV, I prefer third-person (without head-hopping), but first is fine. Second is not welcome (unless told in Choose Your Own Adventure style). I just don't care for it, and since this is a one-man show, I'll save myself irritation and auto-reject it whenever it pops into my inbox. Anything epistolary needs to be secondary; I have absolutely zero interest in reading an entire story made up of letters, articles, etc. If your story is experimental in style, I'm not really interested; I find that stuff tedious. Non-linear timelines in stories isn't an auto-reject; I've seen that carried out well. I prefer short sentences and short chapters. Keep things snappy. Explicit consensual fucking is fine. Explicit sexual assault is not fine. Rape revenge sucks, too. Characters can be victims of sexual assault, just not to add eroticism to the story. Art is done in-house. It might take six months for me to reply; if you blatantly ignore guidelines, I will ignore your email. Before subbing, consider that no Unnerving title has ever been in the running for a major industry award, nor has a short been acknowledged by the industry's ancient gods. If your manuscript is rejected, DO NOT resubmit; there's only one reader and I'll remember, even if you change the title. There is little publicity budget for any books published by Unnerving. Most Unnerving titles earn out between $500 and $700 (some earn way more, some earn nothing at all; the latter is usually due to zero marketing effort made by the author). If you feel above shilling, go away. If you're too scared of what people will think of you for sharing your hard work online, get over it or go away. I consider THE LAWNMOWER MAN a crowning achievement of literature. I am not impressed by big words or complicated sentences. Suspense is a vitally important factor of what I'll print. Character depth is just as important. Humor is good. I grow bored easily. Don't open a story with the weather unless it's deadly. To quote Mighty Mickey Goldmill: "Speed is what ya need." If you don't care for the tone of this page, don't submit; again, Unnerving is a one-man operation.
Stories written using AI tech will not be considered.
Preferred Query Letter Style for Standalone Submissions
Submit to:
Subject line: Title/Name/Word Count
Example: Carrie/Stephen King/67,000 Words
Email:
<Salutation>
Brief synopsis of pertinent information of story submitted.
Example: Carrie White is a chubby loser with no friends, a religious-obsessive and abusive mother, and the gift of telekinesis—skills which she hones in quiet loneliness. A cool couple feels guilty for a prior transgression and attempt to integrate Carrie into high school society, unaware it will trigger a revenge plot against the girl. Embarrassed and enraged by the plot, Carrie uses her supernatural powers to destroy the high school society, town, and mother who have kept her down.
Top five writing credits.
Example: The Glass Floor – Startling Mystery Stories (Fall, 1967)
The Reaper’s Image – Startling Mystery Stories (Spring, 1969)
The Blue Air Compressor – Onan (January, 1971)
It Grows on You – Mashroots (Fall, 1973)
Nine short stories – Cavalier Magazine (1970-74)
Bio, maximum of one hundred fifty words.
Example: Stephen King teaches English at Hampden Academy and earned his English degree from University of Maine at Orono. His short stories have appeared in several journals, magazines, and periodicals. He lives in Maine with his wife and their children.
Links to your social media accounts and website (if you have one).
Not on social media? I probably won’t publish you. Selling indie books is a team effort.
Final note: Unnerving books do not include trigger warnings as the only logical route beyond normalizing this activity is weaponizing it against free speech. (If you think this is an exaggeration, consider horror comic history, and the voluntary decision to follow the Comics Code Authority rules.) If this is a deal breaker, do not submit to Unnerving.
